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© Vincent Michel / Ouest-France The exhibition" Celtic? Who deconstructs Celtic identity is the subject of a controversy to which the catalog of the newly printed exhibition comes to respond.
Ten Breton elected officials co -signed a platform qualifying the exhibition "Celtic?" »From Partial. For its part, the Museum of Brittany releases a catalog which develops its purpose of a Celtic identity object of constructions.
Why now denounce the Celtic exposure? as a bias when she is visible at the Museum of Brittany since spring? "Because, following the withdrawal of the sponsorship of Alan Stivell, and the criticism including that of Ronan the Coadic, sociologist in Rennes 2, the Directorate of the Champs Libres recognized awkwardness and indicated that it was going to change certain formulations. But these changes do not satisfy us ", explains Denez Marchand, departmental advisor of Ille-et-Vilaine in charge of the culture and promotion of the languages of Brittany.
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Il signed with eight other elected UDB (Breton Democratic Union) and a green elected official a platform qualifying the Celtic exhibition? partial and biased.
Villemarqué, a counterfeiter?
“The cartel (explanatory panel) about the Barzaz always suggests that Théodore Hersart de la Villemarqué, which collected the songs of Barzaz Breizh, could be a counterfeiter. This controversy was however decided by Donatien Laurent who had found the notebooks proving the reality of the Villemarqué collection process. »
But what does not pass for the 10 elected officials (departmental, regional advisers and two elected officials from Rennes Métropole, an institution which finances the free fields of which the Museum of Brittany is part), it is above all to read in conclusion of the 'Exhibition that "There is no direct parentage between today's cultural facts and those of the populations of antiquity. "
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" The point of view of archaeologists predominates in the exhibition. For them, the Celtic period would stop at the Iron Age, and no cultural fact, not even the Breton language, would connect it to today ", adds Denez Marchand. "What is expected is that the exhibition catalog also highlights other points of view.
The catalog has just left the printing this Tuesday, September 27. As a preamble, Gauthier Aubert professor of modern history in Rennes 2 recalls that the exhibition has chosen the tone of humor for "Deconstruct" The essentializing approaches of regional history. And Manon Six, heritage curator and curator of the Celtic exhibition? Puncts the nail: "This Celtic Brittany is the result of both a particular history from the High Middle Ages and a construction (cultural, historical, political) [...] the essential is not to be fooled The way in which cultural identities are developed. […] The inheritance that counts is always the one we decide. »
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